White Zombie: La sexorcisto - devil music, vol.1
28/06/12 || BamaHammer
It’s hard to believe that Rob Zombie once did more than front a ridiculously stupid solo project that’s overridden with cookie-cutter industrial influences. The truth is that this album, in all it’s ridiculously stupid glory, is actually a pretty good metal album and one of the crucial albums of the ’90s. No, really.
7. Nothing too flashy, just straightforward balls-out heavy rock. The best way I could describe the quality is that the record has more than a few hits and more than a few misses. Tracks like “Thunderpiss ’65”, “Black sunshine”, “Planet motherfucker”, “Soul-crusher”, and “Thrust!” are still fun to hear after all these years, and those are the kinds of tracks that make this album what it is, which is a fun jaunt into early ’90s popular metal. Still, there are the rest of the tracks that range anywhere from mediocre to utter shit. It’s not enough to outweigh the brilliance of the good stuff, but it’s still there, and you’ll be hitting ye olde skip button on several occasions during a play through.
8. This was before White Zombie got carried away with synthesizers and programming or whatever else they used to go all industrial on our asses, but they do still include the odd movie sound byte. Other that that, though, this album sounds surprisingly raw and natural. The guitar tone has a very hard edge and really rips through the mix well. The drums sound tight and just cheap, for lack of a better word, but that gives them a bit of an endearing quality to me. The vocals are nice and loud so you can hear every weird Rob Zombie-esque pronunciation clearly. Andy Wallace produced it, and he has a pretty impressive history, boasting some engineering work with Slayer, Sepultura, and Blink 182. Ok, maybe not that impressive.
9. This album has awesome riff diarrhea. They just keep coming no matter how hard you try to pinch it off. Back in the ’90s, every awkward, pimply-faced guitar-wannabe teenager my age with any taste for metal whatsoever learned the riff to “Thunderkiss ’65” and “Black sunshine”. And “Soul-crusher”. And “Thrust!”. Seriously, this album is just badass riff after badass riff. Nothing is particularly technical or challenging in any way, but every single track is simple and catchy, and that approach to music like this is pretty close to perfect.
7,5. This album features some of the greatest vocals ever recorded by a shitty film director. His tone has always been weird and infinitely fun to impersonate, but on this album, teh Mr. Zombie sounded just a tad deeper and tad less processed and raspy than he does these days. He still sounds like Rob Zombie, but a little more human…than human. I’ll stop.
7. It’s definitely there. It even takes center stage on the intro to “Black sunshine” and shines on a few other occasions, but the actual parts are just a little lame. It don’t guess it needs to be doing anything spectacular, but I guess I just hope for more out of bass lines. Oh, and she’s a chick. I’m obligated to mention that.
8. The drums are one of my favorite aspects of this album just because they don’t really sound like they fit the rest of what’s going on in terms of style, tone, or anything. They sound extremely natural and naked. The kicks have a good tight punch and thump to them, and the high-hat is loud with a good sizzle. As for the actual drum parts, they never veer too far into the realms of technically difficult, and the de Prume guy seems to be a firm believer in keeping things simple for the sake of protecting the groove.
5. We definitely aren’t dealing with Shakespeare here. Granted they don’t have to be fantastic, but it’s pretty much writing words that sound a certain way and playing with them just for the sake of having catchy-sounding words. It’s almost as if Roberto Zombino was making the shit up on the spot. The result sounds fun and catchy, but if you take the time to read into them, you get dumber. Look:
Well sweet little sister’s high in hell cheatin’ on a halo.
Grind in a odyssey holocaust heart kick on tomorrow.
Breakdown, agony said ectasy in overdrive.
She come a ridin’ on the world, thunderkissin’ 1965. Yeah, wow.
What. The. Fuck.
5. Photos of the band on the cover is never cool unless it’s monochrome, they’re wearing corpsepaint, and someone’s leaping out of a tree. Bonus points though for the neat little nuance of the “Devil Music, Vol. 1” box in the top left.
6. It’s pretty weak, only a jagged, blocky “White Zombie” in the top right corner. The band never had a consistent logo, but this one actually isn’t terrible. Granted, it does look like they decided during the design of the cover that something had to be done to “spice up” their other wise lame, basic typeface name, so someone stepped up and said, “Fuck it, let’s make it jagged and weird”. Whatever.
7. Pretty standard fare here. You get lyrics and credits, band member photos, and all of it is accented with extremely colorful, psychedelic art. Interesting enough for about 20 seconds of your time.
Overall and ending rant
I don’t know what kind of metal this is, but I do know it’s metal. There are too many riffs and too much fun and energy on this record to say otherwise. It’s probably for the best that teh Zombie is no more. This one along with the “Astro Creep” album took the band essentially as far as it could be taken without soiling what they’ve accomplished by getting them stuck in a perpetual rut of derivative bullshit (See Rob Zombie’s solo career). This is a fantastically fun record that’s easy to get into and enjoy. If you have heard it, you know that. If you haven’t, you need to check it out.
- Released: 1992
- Label: Universal/Geffen
- Website: www.whitezombiefanpage.com
- Rob Zombie: vocals
- J. Yuenger: guitars
- Sean Yseult: bass
- Ivan de Prume: drums
- 01. Welcome to Planet Motherfucker/Psychoholic Slag
- 02. Knuckle Duster (Radio 1-A)
- 03. Thunder Kiss ’65
- 04. Black Sunshine
- 05. Soul-Crusher
- 06. Cosmic Monsters Inc.
- 07. Spiderbaby (Yeah-Yeah-Yeah)
- 08. I Am Legend
- 09. Knuckle Duster (Radio 2-B)
- 10. Thrust!
- 11. One Big Crunch
- 12. Grindhouse (A Go-Go)
- 13. Starface
- 14. Warp Asylum